Photographing Your Reef: A Primer
Thanks Jeremai
Contents:
Intro
At the very least
A word about aperture...
...and Composition
Corals
Fish
The full tank shot
Uploading and posting to the forums
Conclusion
Nothing can be more frustrating than spending all that time and money on your beautiful reef, but not being able to get quality photos to post on WorldWideReefers.com. Hopefully with the help of this guide you'll be able to show the rest of us what it is you get to enjoy every day! Most of this primer is written for DSLR and advanced point and shoot (P&S) users. If you use a basic P&S, fear not: mixed in you will see tips especially for you that will allow you to stretch your trusty little camera to its full potential.
First and foremost, READ YOUR MANUAL (cameras, lenses, and all other equipment you'll be using). You cannot possibly hope to take great photos if you do not understand the features available to you. Also, understand the basics of your camera's settings and how they interact with each other. This is a good place to start: http://www.thepeaches.com/photography/Basics.htm.
Again, I cannot stress enough the importance of learning everything you can about your camera and how to use it. When asking for advice or help with a particular technique or photo, understanding what those who are helping you are saying is going to be key.
At the very least
Setup
- Turn off all pumps and powerheads that provide water movement in your tank.
- Put your camera on a tripod or other sturdy support.
- Clean your tank, inside and out.
- Shoot parallel to the front glass (point the camera straight into the tank). Shooting at an angle will cause distortions.
Settings
- Shoot at the highest, finest, largest setting possible. For P&S cameras, that means the largest JPG set to Fine. For DSLRs and advanced P&S cameras, shoot in RAW.
- Start with auto white balance, it will often yield acceptable results. When you gain skill (and if your camera is capable) you can use a custom white balance setting.
- Shoot on the lowest ISO setting available on your camera.
- Turn off your flash, as all it will do is create a flat, dimensionless, yellow-tinged photo.
- Use either a remote shutter release or your camera's timer function when taking photos. This will help to eliminate camera shake caused by pressing the shutter button.
Post-processing
- Most images will need some adjustment after you take the photo. This can include contrast, brightness, sharpening, color saturation and white balance adjustments, as well as other more advanced adjustments. The basics can be done with the software included with your camera or a program like Google's Picasa; the more advanced adjustments will require a more advanced program like GIMP or Photoshop.
- Make sure to resize your photos to make for faster uploading to a gallery website (Photobucket, Flickr, etc). With the exception of the first three, all the photos in this article were resized to 600 pixels wide.
A word about aperture...
When shooting your tank, either macros of individual coral polyps or full-tank shots, the aperture you set can be the one thing that makes or breaks your image. Here's an example of the same image taken at three different apertures. Which one looks best to you?
pics from lalani
The photos were taken at f/2.8, f/11 and f/32, respectively. Selecting a large aperture (small number, like the first photo taken at an aperture of f/2.8) lets you choose what part of the photo you want the audience to focus in on by isolating it and blurring the background or foreground. The best way to ensure the correct exposure is to set your camera to Aperture priority mode. This will let you choose the aperture setting you want, and the camera will automatically select a shutter speed for you. This takes half the guesswork out of the equation and lets you focus on the other aspects of getting a good shot.
P&S Tip: If you do not have manual control of your camera, try using the preset modes that the manufacturer provides. The Macro (indicated by a picture of a flower) or Portrait (picture of a head or face) modes usually provide shallow depth of field, keeping your subject in focus while blurring the background. Keep in mind though that many cameras gently blur the entire image in Portrait mode, so it may not be quite as sharp as you would like.
...and Composition
When most people take photos, their natural tendency is to place the subject in the direct center of the frame. This often leads to photos that are static and boring, the very definition of 'snapshot'. Reef photography lends itself to rule-breaking, as there are so many 'subjects' in a shot that having one of them centered is not boring at all.
pic from elfabuloso
If you find yourself looking through your camera at a scene that is dominated by a single color or texture however, placing the subject in the center of the frame will end up looking boring. The solution is as simple as shifting the subject off-center. But if not dead center, then where should you place it? Imagine a grid separating your image into thirds both horizontally and vertically, like in tic-tac-toe. Try and place your subject on one of the lines or, ideally, on one of the intersections. This minor shift will automatically make your images seem more dynamic and interesting. While the rule of thirds works very well with general shots, it can often show its weaknesses when doing close-up or macro work. Take the following photo:
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